Faith. Sacred Symbols in Hiding
SPIRITUAL REVIVAL IN THE SOVIET UNION AFTER WORLD WAR II
In these paintings, I am less interested in reflecting formal beauty and more in expressing my feeling and admiration; I attempt to uncover hidden spirituality in nature, to express objects as a metaphor.
I constantly search for expressiveness through color and composition. I find help in the great tradition of old Russian Icon painting and the achievements of the first years of Soviet art [Soviet Avant-Garde].
Felix Lembersky, Autobiography, Leningrad, 1959-60
Churches
Leningrad. Medieval towns of Staraya Ladoga and Pskov
Places and metaphor
Sacred Symbols
Marc Chagall, White Cricifixion, 1938